He has lied to so many writers that there is no way to narrow the field. Who is sending the postcards? Griffin racks his memory and his secretary's appointment book. This challenge comes at a bad time: Griffin is shedding a girl friend (a woman whose superior intelligence he feeds on, while treating the rest of her like a shabby possession). There is another shark in the pond, a younger executive ( Peter Gallagher) who may be even sleeker and greedier, and who may get Griffin's job. "The Player" follows Griffin ( Tim Robbins) during a period when his big paycheck, his luxury car and his expensive lifestyle seem to be in danger. If they do nothing wrong, they can hardly be fired just because they never do anything right. Their careers are a study in crisis control. The new gods are like Griffin Mill - sleek, expensively dressed, noncommittal, protecting their backsides. But these names are like the names of saints who no longer seem to have the power to perform miracles. Many names and periods are evoked: Silent pictures, foreign films, the great directors of the past. "The Player" opens with a very long continuous shot that is quite a technical achievement, yes, but also works in another way, to summarize Hollywood's state of mind in the early 1990s.
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Now he is back in glorious vengeance, with a movie that is not simply about Hollywood, but about the way we live now, in which the top executives of many industries are cut off from the real work of their employees, and exist in a rarefied atmosphere of greedy competition with one another. Hollywood cast him into the outer darkness in the 1980s, when his eclectic vision didn't fit with movies made by marketing studies. Miller" and " Nashville" were the most audacious work in town.
He owned Hollywood in the 1970s, when his films like "MASH," " McCabe & Mrs. This is material Altman knows from the inside and the outside. He is not capable of making a movie, but if a movie is going to be made, it has to get past him first. Griffin is capable of humiliating a waiter who brings him the wrong mineral water. It is about an industry that is run like an exclusive rich boy's school, where all the kids are spoiled and most of them have ended up here because nobody else could stand them. Robert Altman's "The Player," which tells Griffin's story with a cold sardonic glee, is a movie about today's Hollywood - hilarious and heartless in about equal measure, and often at the same time.
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